Den nachfolgenden Text schrieb Alice Schwarzer zum Erscheinen der Biografie von Maria Riva über ihre Mutter Marlene Dietrich. 繧ｰ繝ｬ繧ｿ繝ｻ繧ｬ繝ｫ繝彈]縺ｮ蜀咏悄邏 譚舌 ｻ繧､繝ｩ繧ｹ繝育ｴ 譚撰ｽ懊い繝槭リ繧､繝｡繝ｼ繧ｸ繧ｺ. , Film Title: LOVE, Director: EDMUND. “ Sie habe die Liebhaber ihrer Mutter immer bedauert. Nach Ansicht der Tochter war Marlene Dietrich eine sehr viel bessere Schauspielerin als.
Marlene Dietrich: Der Himmel war grün, wenn sie es sagtewurde Maria als Tochter von Marlene Dietrich und deren Mann, dem Regieassistenten Rudolf Sieber, in Berlin geboren. Nachdem ihre Mutter Marlene. Das Tochter-Mutter-Gespräch am Grab von Marlene Dietrich. Sie hat das gleiche Gesicht, aber es ist keine Marlene-Maske. Maria Riva, 75, hat. Den nachfolgenden Text schrieb Alice Schwarzer zum Erscheinen der Biografie von Maria Riva über ihre Mutter Marlene Dietrich.
Marlene Dietrich Tochter See a Problem? VideoMarlene Dietrich's daughter, Maria Riva, speaking at the William J. Donovan Award® Dinner Maria Elisabeth Riva ist eine US-amerikanische Schauspielerin und einziges Kind der Schauspielerin Marlene Dietrich. wurde Maria als Tochter von Marlene Dietrich und deren Mann, dem Regieassistenten Rudolf Sieber, in Berlin geboren. Nachdem ihre Mutter Marlene. Felsing), die Tochter eines Berliner Juweliers. Marlene und ihre ältere Schwester Elisabeth (–) verbrachten ihre ersten Lebensjahre. Den nachfolgenden Text schrieb Alice Schwarzer zum Erscheinen der Biografie von Maria Riva über ihre Mutter Marlene Dietrich. Auf Seiten enthüllt Tochter Maria nach dem Tod der Mutter, wer „die Dietrich“ wirklich war, zumindest in ihren Augen. Könnte die intellektuell und literarisch so strenge und persönlich so prüde Marlene Dietrich die Ergüsse ihres Katers lesen – sie würde dich in ihrem Berliner Grabe rumdrehen. One of the most popular film and music stars of the s and s, Marlene Dietrich was known for her fashionable style and diverse portrayals of loose women. She was a firm advocate for the American war effort, contributing much of her time, energy and musical talents to aid the troops. Marie Magdalene “Marlene” Dietrich was born on December 27, in Berlin, Germany. Mutter und Tochter: Marlene Dietrich posiert am Mai mit ihrer kleinen Tochter Maria Riva in ihrem Zuhause in Hollywood. Im Alter von zehn Jahren spielte Maria zusammen mit ihrer Mutter in dem Film "Die scharlachrote Kaiserin" die Rolle der Katharina der Großen - die eine als Kind, die andere als erwachsene Frau. The Official Marlene Dietrich. Legend & ICON Gallery The official Marlene Dietrich website. Marlene Dietrich (I) (–) Soundtrack | Actress | Music Department. Trailer. Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known Born: December 27, Died: May 6, (age 90).
Gemcraft Labyrinth Gemcraft Labyrinth. - B.Z. MärkteJa doch, Maria Sieber, verheiratete Riva, sei der Monopoly Varianten mit der für sie übermächtigen Mutter zugestanden.
When she spoke, people listened. When she moved, people watched. Maria Riva, the only child of actress Marlene Dietrich pictured recalls her mother in her re-released memoir 25 years after her death.
In her films and, latterly, concerts, she embodied an erotic languor, a moody exasperation. Marlene was to be little different temperamentally, though she was more artistic.
She flashed her long legs in plays and cabarets, and particularly enjoyed the elaborate costumes — a fantasy world to be contrasted with the prevailing poverty and inflation of the Weimar Republic.
He condoned her innumerable affairs and collected the love letters she received. Though they never divorced, he was eventually exiled to a chicken ranch in the San Fernando Valley.
Details if other :. Thanks for telling us about the problem. Return to Book Page. Elabroately detailed Greatly entertaining Riva leaves no sequin unturned.
A determined perfectionist with an incredible ego, her beauty, her style, her sense of the outrageous, made her a star.
In this candid, illuminating, and detailed biography full of "Gossipy In this candid, illuminating, and detailed biography full of photographs, her only daughter Maria Riva, tells the incredible, fascinating, story of the star's life and career, loves and hates, hits and misses, as only a daughter can.
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Recently I read Marlene by C. Gortner, which falls into the biographical novel category. It was well done, for the most part, but I couldn't help but wonder, what parts were fact, what parts were fiction.
So, I set out to find a non-fiction biography of the legendary actress, and stumbled upon this one, written by Dietrichs daughter, Maria Riva.
This book was originally released, I think in or 93, but has been reissued and is also available in digital format. I put this book on hold at the library, as pre-release, and received a copy much quicker than I expected.
But, this book was very well received for the most part, so I decided to give it a shot. So, how did it measure up? First off, this book draws from so many personal documents, such as diaries, telegrams, letters, and photographs.
They are included here, unedited, and speak for themselves, but Riva adds her personal memories of these events, giving the reader an intimate look at the woman behind the legend.
Having some prior knowledge about Marlene did help me navigate through the book a little faster, since I was already familiar with some of the topics covered, but this is a very hefty book and will require a little bit of time to go through.
However, I found it to be an easy read, and it appears to confirm much of what was covered in the Gortner book. Maria did portray her mother in a realistic way, exposing the darker side of growing up with a famous and a glamourous actress for a mother, while paying homage to that incredible era of time, and all those incredibly talented people, trends, and of course, a few scandals.
Did she fudge? Probably, to some extent, she painted herself out to be put upon by her overbearing and self-absorbed mother.
But, nothing here was a shock in my opinion. No doubt, Maria's recollections rankled some big fans of Marlene, who would prefer the 'Hollywood' image over reality, while others will take gleeful delight in seeing Marlene's mythical reputation debunked.
The one area, Marlene succeeded in giving anything back was the work she did during WW2, which, as far as I'm concerned is the most meaningful contribution she made in her life.
This is an opinion I had formed before I started this book, and I think this book validates that judgement. Yet, I still admire the contributions Marlene made to film, I loved her image, her style, all the glamour, mystery, and the unapologetic way she approached the stage and film.
But, as they say, Hollywood is mostly smoke and mirrors, and this book will remind you of that old adage, if you ever had any doubts.
Overall, the book is well organized, informative, and while I did know what to expect in some ways, it was still very enlightening, despite the sly 'revenge' factor.
View all 16 comments. The pretension of writing about Marlene Dietrich is annoying. The attitude Riva has toward any aspect of her mother's character, any conflict in her mother's life, any aspect of her career or a relationship-- predictable with almost complete accuracy based on whether it's something that seems "European" such as lascivious behavior with other women and Riva justifying her hatred for her mother based The pretension of writing about Marlene Dietrich is annoying.
The attitude Riva has toward any aspect of her mother's character, any conflict in her mother's life, any aspect of her career or a relationship-- predictable with almost complete accuracy based on whether it's something that seems "European" such as lascivious behavior with other women and Riva justifying her hatred for her mother based mostly on her father's horrifying abuse of a mistress named Tami while her father gets away with almost no criticism constantly, because unlike Dietrich he was happy to spoil Riva with gifts of houses is annoying at best.
When this book isn't Riva presenting yet another time her mother was a European slut while she was a soft American saint, there are a lot of copies of telegrams and letters and some photos, a sense of Dietrich as having an extravagant generosity comes through, kind of slavish devotion to giving people the best when your only resource is your physicality.
Which is what makes this attack on Dietrich's image so difficult to read, it sounds like her image was the only thing she really had for herself.
Twisted book View all 5 comments. Mar 21, Samantha Glasser rated it it was amazing Shelves: movies , i-own-a-copy , non-fiction , favorites.
There are great autobiographies or memoirs written by friends of celebrities that consist of personal information and small tidbits that greatly interest readers.
Then there are biographies, often more informational and objective than autobiographies. This book is composed of both which makes it one of the best books about a celebrity around.
Maria Riva is the daughter of legend Marlene Dietrich, an androgynous star of the s, 40s, 50s, and 60s. One would believe that a daughter would be the There are great autobiographies or memoirs written by friends of celebrities that consist of personal information and small tidbits that greatly interest readers.
One would believe that a daughter would be the most biased person to write a biography but this is not the case with this book.
Riva shares personal information but she always cites when she does so as to not confuse fact and observation.
She includes diary entries, letters from lovers, and a bevy of other sources including other acquaintances of Dietrich. She reveals things that her mother made up for the press and what her mother really thought about things like films, other stars, and sex.
The Nightclub Years The Manns - Novel of a Century Biography Hitler's Women Marlene Dietrich and Joseph von Sternberg The Third Reich, in Color Warner Bros.
Legenden Sharon Stone - Una mujer de caras The Real Las Vegas Marlene Dietrich: Shadow and Light Great Performances The Casting Couch Cinema Europe: The Other Hollywood Inside the Dream Factory Get Shorty The Celluloid Closet Century of Cinema Cinegrafias That's Entertainment!
III Cyndi Lauper: 12 Deadly Cyns Dos reinas Nylon blues The Dietrich Songs Hollywood Mavericks Only in Hollywood Durch dich wird diese Welt erst schön, ein Streifzug durch die Geschichte des deutschen Schlagers Entertaining the Troops Bloopermania Cyndi Lauper: Time After Time Going Hollywood: The '30s Sixty Years of Seduction Un sanglant symbole That's Action All You Need Is Love Brother Can You Spare a Dime Vive la France Triumph Over Violence Hollywood and the Stars The Judy Garland Show The DuPont Show of the Week Das kommt nicht wieder Und wie hat eine Mutter eigentlich zu sein, damit ihr Kind nicht im Nachhinein das Recht hat, sie hinzurichten?
Dieses Buch ist mehr als ein Buch über die Dietrich. Zu fest sind die Vorstellungen von dem, wie eine Mutter zu sein hat — Vorstellungen, die auch in den Köpfen der mal kindlich abhängigen, mal fraulich rivalisierenden Töchter herumgeistern.
Nach dem Umzug wurden extra für den Kater Häuser mit Swimmingpool gemietet und bei Mutters Dreharbeiten kleine Spezialaufgaben für ihn ersonnen.
Überhaupt hat die Dietrich ihren Kater nur einmal im Leben für drei Monate beim Vater gelassen und sodann von Stund an Tag und Nacht in ihr Leben mit einbezogen, zu sehr einbezogen.
Wahrlich, Mutter Dietrich hatte keine Chance bei ihrer Tochter. Dieselbe Tochter findet für Vater Sieber, der sich nie um sie gekümmert, seine Lebensgefährtin Tami schlimmer als eine Sklavin behandelt und letztendlich in die Psychiatrie abgeschoben hat, für diesen offensichtlich sadistischen, menschenfeindlichen Vater findet die Tochter nicht ein einziges kritisches Wort im ganzen Buch.
Hätte die Dietrich genau dasselbe, was sie als Mutter getan hat, für ihre Tochter als Vater getan — sie wäre ein Traumvater gewesen.
Aber sie war eben nur eine Mutter. Es ist selbst diesem Buch — dessen einzig wirklich interessante Stellen die Originaldokumente der Dietrich, ihre Tagebücher und Briefe sind — zwischen den Zeilen zu entnehmen, was für eine ungewöhnlich intelligente und charakterstarke Frau Marlene Dietrich war ihre Schönheit ist ja hinlänglich bekannt.
Dietrich worked without von Sternberg for the first time in three years in the romantic drama Song of Songs , playing a naive German peasant, under the direction of Rouben Mamoulian.
Dietrich and Sternberg's last two films, The Scarlet Empress , and The Devil Is a Woman —the most stylized of their collaborations—were their lowest-grossing films.
Dietrich later remarked that she was at her most beautiful in The Devil Is a Woman. Von Sternberg is known for his exceptional skill in lighting and photographing Dietrich to optimum effect.
He had a signature use of light and shadow, including the impact of light passed through a veil or slatted window blinds as for example in Shanghai Express.
This combined with the scrupulous attention to set design and costumes makes the films they made together among cinema's most visually stylish.
Dietrich's first film after the end of her partnership with von Sternberg was Frank Borzage 's Desire , a commercial success that gave Dietrich an opportunity to try her hand at romantic comedy.
Her next project, I Loved a Soldier , ended in shambles when the film was scrapped several weeks into production due to script problems, scheduling confusion and the studio's decision to fire the producer Ernst Lubitsch.
Extravagant offers lured Dietrich away from Paramount to make her first color film The Garden of Allah for independent producer David O.
While both films performed decently at the box office, her vehicles were costly to produce and her public popularity had declined.
While in London, Dietrich later said in interviews, she was approached by Nazi Party officials and offered lucrative contracts, should she agree to return to Germany as a foremost film star in the Third Reich.
She refused their offers and applied for U. Dietrich, with encouragement from Josef von Sternberg, accepted producer Joe Pasternak 's offer to play against type in her first film in two years: that of the cowboy saloon girl, Frenchie, in the western-comedy Destry Rides Again , with James Stewart.
This was a significantly less well paid role than she had been accustomed. The bawdy role revived her career and " See What the Boys in the Back Room Will Have ", a song she introduced in the film, became a hit when she recorded it for Decca.
Dietrich was known to have strong political convictions and the mind to speak them. In the late s, Dietrich created a fund with Billy Wilder and several other exiles to help Jews and dissidents escape from Germany.
In , she became an American citizen and renounced her German citizenship. She toured the U. Gavin and George S. When asked why she had done this, in spite of the obvious danger of being within a few kilometers of German lines, she replied, " aus Anstand "—"out of decency".
Her revue, with Danny Thomas as her opening act for the first tour, included songs from her films, performances on her musical saw a skill taught to her by Igo Sym that she had originally acquired for stage appearances in Berlin in the s and a " mindreading " act that her friend Orson Welles had taught her for his Mercury Wonder Show.
Dietrich would inform the audience that she could read minds and ask them to concentrate on whatever came into their minds.
Then she would walk over to a soldier and earnestly tell him, "Oh, think of something else. I can't possibly talk about that! Donovan , head of the OSS, wrote to Dietrich, "I am personally deeply grateful for your generosity in making these recordings for us.
At the war's end in Europe, Dietrich reunited with her sister Elisabeth and her sister's husband and son. They had resided in the German city of Belsen throughout the war years, running a cinema frequented by Nazi officers and officials who oversaw the Bergen-Belsen concentration camp.
Dietrich's mother remained in Berlin during the war; her husband moved to a ranch in the San Fernando Valley of California. Dietrich vouched for her sister and her sister's husband, sheltering them from possible prosecution as Nazi collaborators.
Dietrich received the Medal of Freedom in November , for her "extraordinary record entertaining troops overseas during the war".
While Dietrich never fully regained her former screen profile, she continued performing in motion pictures, including appearances for directors such as Mitchell Leisen in Golden Earrings , Billy Wilder in A Foreign Affair and Alfred Hitchcock in Stage Fright Her appearances in the s, included films such as Fritz Lang 's Rancho Notorious , and Wilder's Witness for the Prosecution She appeared in Orson Welles 's Touch of Evil Dietrich had a kind of platonic love for Welles, whom she considered a genius.
From the early s until the mids, Dietrich worked almost exclusively as a cabaret artist, performing live in large theatres in major cities worldwide.
The show was short, consisting only of a few songs associated with her. Dietrich employed Burt Bacharach as her musical arranger starting in the mids; together, they refined her nightclub act into a more ambitious theatrical one-woman show with an expanded repertoire.
Bacharach's arrangements helped to disguise Dietrich's limited vocal range—she was a contralto  —and allowed her to perform her songs to maximum dramatic effect;  together, they recorded four albums and several singles between and Bacharach then felt he needed to devote his full-time to songwriting.
But she had also come to rely on him in order to perform, and wrote about his leaving in her memoir:.
From that fateful day on, I have worked like a robot, trying to recapture the wonderful woman he helped make out of me.
I even succeeded in this effort for years, because I always thought of him, always longed for him, always looked for him in the wings, and always fought against self-pity He had become so indispensable to me that, without him, I no longer took much joy in singing.
When he left me, I felt like giving everything up. I had lost my director, my support, my teacher, my maestro.
She would often perform the first part of her show in one of her body-hugging dresses and a swansdown coat, and change to top hat and tails for the second half of the performance.
Francis Wyndham offered a more critical appraisal of the phenomenon of Dietrich in concert. He wrote in "What she does is neither difficult nor diverting, but the fact that she does it at all fills the onlookers with wonder It takes two to make a conjuring trick: the illusionist's sleight of hand and the stooge's desire to be deceived.
To these necessary elements her own technical competence and her audience's sentimentality Marlene Dietrich adds a third—the mysterious force of her belief in her own magic.
Those who find themselves unable to share this belief tend to blame themselves rather than her. Her use of body-sculpting undergarments, nonsurgical temporary facelifts tape ,  expert makeup and wigs,  combined with careful stage lighting,  helped to preserve Dietrich's glamorous image as she grew older.
Dietrich's return to West Germany in for a concert tour was met with mixed reception— despite a consistently negative press, vociferous protest by chauvinistic Germans who felt she had betrayed her homeland, and two bomb threats, her performance attracted huge crowds.
East Germany, however, received her well. Dietrich in London , a concert album, was recorded during the run of her engagement at the Queen's Theatre.